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The Midnight Hour of Terror”

The village was named Bospur. A tiny place, surrounded by paddy fields and bamboo groves. At its heart stood an old, decaying mansion—*Bos Bari*. Once a grand..

By Fahad KhanPublished 9 months ago 2 min read

The village was named Bospur. A tiny place, surrounded by paddy fields and bamboo groves. At its heart stood an old, decaying mansion—*Bos Bari*. Once a grand estate belonging to Zamindar Raghunath Bose, now it was a crumbling monument to fear and forgotten history.

The house was abandoned. No one dared go near it. The reason? A chilling tale of an unnatural death that had haunted the villagers for decades.

Twenty years ago, Raghunath Bose’s only son, Ranjit Bose, mysteriously disappeared one night. He had returned from the city for the holidays and went to bed like usual—but by morning, he was gone. A week later, his body was found floating near the old pond behind the mansion. His face was contorted with fear, eyes wide open, and the corners of his lips twisted in a disturbing, silent grin.

The official report said he had drowned, but the villagers whispered otherwise. They believed something unnatural had taken him. Something still lurking in that house.

Years passed, and from the city came Rohit Sen—a young journalist working for an online magazine called *Mysteries of Bengal*. His job: to investigate supernatural legends and separate myth from truth.
[05/05, 10:18 am] Chatgpt: At the village entrance, he met old Sudhanshu Babu, once the estate’s manager. The old man said, “The boy wasn’t afraid of anything... but that night, he saw something no human mind should see.”

Rohit smiled politely. “There’s no such thing as ghosts, Dadu. Just stories.”

Sudhanshu’s eyes narrowed. “Some fears don’t just raise goosebumps... they leave scars on the soul.”

Still determined, Rohit decided to spend one night in the mansion.

He arrived around 6 PM, carrying a camera, tape recorder, torch, and a small tent. Inside, the house was full of dust and cobwebs. The wind whistled through broken windows, and on one wall still hung an old portrait of Raghunath Bose—eyes stern, gaze almost alive.

By 10 PM, the camera rolled. Nothing unusual happened.

At 11:30 PM, the recorder picked up a faint sound—sobbing. Rohit dismissed it as the wind or a bird. He sat back to take notes.

At exactly 11:55 PM, footsteps echoed—slow, heavy, deliberate. It sounded like someone was tapping a cane on the wooden floor, approaching his room. He crept to the door and opened it gently. No one.

Then the lights flickered. The door slammed shut by itself. The air grew cold, unnaturally so.
[05/05, 10:18 am] Chatgpt: At the stroke of midnight, he heard a clock chime—once, twice... twelve times. But there was no clock in the house.

From the shadows of the wall, a figure emerged—tall, cloaked in darkness, with glowing red eyes. Rohit froze.

The figure spoke: “You came seeking truth? Come then... see the night I died.”

Rohit couldn’t speak. The figure pointed to the wall. Suddenly, the wall morphed into a living painting. It showed Ranjit’s final night. He was being pushed toward the pond by another shadowy figure. Ranjit’s face showed terror, betrayal.

The painted Ranjit screamed, “My death wasn’t an accident... I was betrayed!”

Then, the shadow in the image turned to face Rohit and whispered, “You will write the final page of my story.”

Rohit fainted.

The next morning, villagers found him unconscious in the courtyard. They rushed him to the local hospital. When he regained consciousness, all he said was, “He’s still waiting... for justice.”

Rohit never published the article. Instead, he wrote a private journal entry:

“Not all mysteries can be solved with science. Some truths are only understood when seen. Like Bos Bari... some histories are not meant to be told, but to be respected—and feared.”

-

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Fahad Khan

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