The Worst Wokest Video Game Ever Made Dustborn

**The Worst Wokest Game Ever: Dustborn**

In recent years, the rise of politically charged video games has sparked intense debate among gamers, and *Dustborn* is no exception. Billed as one of the most overtly political games in recent memory, *Dustborn* has managed to divide the gaming community even before its official release. Many gamers, content creators, and critics have weighed in on what they perceive to be the game's overt messaging and left-leaning agenda. Among the critics is YouTuber Smash JT, who has labeled *Dustborn* as "The Most WOKE Game Ever," questioning both its content and its potential success in the gaming market.

### Smash JT's Reaction to Dustborn

Smash JT, a YouTuber known for his frank opinions on the gaming industry, released a video titled “Dustborn: The Most WOKE Game Ever Releases Next Month…” In the video, he reacts to the game's trailer and a developer interview, expressing strong concerns about the game's premise. He argues that *Dustborn* uses words as weapons in a way that pushes a political agenda, stating, "That’s what this game bases its premise upon. Words are used as weapons and have the power to change minds, and this is used politically to push the agenda within the game."

Smash JT's critique goes beyond just the game's mechanics; he questions the intentions of the developers. According to him, *Dustborn* feels like it's sending a subliminal message to gamers: "Hey, learn how to use words to fight against people and get your ideologies pushed across to them." This notion, he says, is antithetical to what gamers have traditionally sought in their gaming experiences. For Smash JT, games are meant to be a form of escapism, not a platform for political indoctrination.

### Political Games and Gamer Reactions

The issue of politics in gaming has been a contentious one for years. Many gamers have expressed a desire to keep politics out of their hobby, feeling that games should be a way to escape from the often divisive world of real-life politics. However, developers and publishers have increasingly used games as a medium to explore political and social issues. *Dustborn*, with its focus on using words as weapons and pushing ideologies, seems to have taken this trend to its extreme.

Smash JT argues that gamers have been rejecting political agendas in games since the beginning of gaming itself. He questions how many players would be willing to pay to play what he describes as "woke garbage." His predictions for the game’s success are pessimistic, stating, "I don’t see this game getting anywhere close to even 500 players. And that in itself is going to be such an epic fail that the studio is not only going to be reeling from it, but potentially closing down because of it."

### Dustborn's Political Premise

One of the most striking aspects of *Dustborn* is its unapologetically leftist political stance. The game is set in an alternate history in which former First Lady Jackie Kennedy was assassinated instead of President John F. Kennedy. This event leads JFK to take drastic measures, creating a new national police force called Justice. In a manner reminiscent of the "slow-boiled frog" metaphor, the country gradually descends into authoritarianism without sparking significant resistance.

This premise sets the stage for a game that is explicitly political from the start. It’s clear that the developers intended to explore issues such as authoritarianism, social control, and resistance in a narrative that is not subtle about its message. While some players may appreciate this approach, others, like Smash JT, view it as a turn-off. To them, the game’s political leanings are too overt, and its message feels forced rather than organic.

### The Appeal and the Flaws

Despite its polarizing nature, *Dustborn* does have elements that might appeal to certain players. The game’s early hours are rich in world-building, offering a detailed and thought-provoking alternate history. Players might find themselves drawn into a world where the government has slowly reshaped society in ways that are eerily reminiscent of real-world authoritarian regimes. This level of world-building is something that some gamers will likely find intriguing and immersive.

However, according to various reviews, *Dustborn* falters in its execution. While the early chapters may grab players' attention, the game reportedly struggles to maintain its momentum. The second half of the game is criticized for its monotonous combat and a narrative that unravels in its final chapters. What begins as a compelling exploration of political themes ultimately falls apart, leaving players unsatisfied by the time the credits roll.

One reviewer noted that the game felt like a "slow burn," gradually losing its appeal over its 15-hour playtime. The early hours may be heavy on world-building and political commentary, but the lack of engaging gameplay mechanics and the unraveling of the story ultimately undermine what could have been a powerful narrative.

### A Divisive Game in a Divisive Time

https://youtu.be/L2kctOFeUFA?si=-FgkHgKr35ZL1uWX

*Dustborn* is a game that wears its politics on its sleeve. Its unapologetically leftist stance is bound to attract both fans and detractors, making it one of the most divisive games in recent memory. For some players, the game’s willingness to tackle political issues head-on may be a breath of fresh air in a medium that often shies away from such topics. For others, however, the game’s overt messaging and lack of subtlety may be off-putting.

Ultimately, *Dustborn* represents a growing trend in the gaming industry toward more politically charged content. Whether this trend will continue to grow remains to be seen, but *Dustborn* serves as a prime example of how games can be used as a platform for exploring political and social issues—whether gamers want that or not.

### The Future of Dustborn

https://youtu.be/ymD4SvB7xHU?si=mkDPIUZdnzyhyiE8

As *Dustborn* approaches its release, it remains to be seen how the gaming community will respond. Will it attract a dedicated fanbase of players who appreciate its bold political stance, or will it struggle to find an audience in a market that is increasingly wary of overt political messaging in games? Smash JT’s prediction of failure may or may not come to pass, but one thing is certain: *Dustborn* is a game that will be talked about for some time to come, whether for its success or its perceived shortcomings.

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