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Where the House Keeps Secrets

Some truths don't need form to leave a mark.

By Rick AllenPublished 4 months ago 5 min read

Michael had owned the house for seven months before he went near the attic.

It wasn’t fear, exactly. Not then. More like… reverence. The way you walk quietly through an old cathedral even if you don’t believe in God. The attic was part of the house’s spine—old beams, warped boards, a ceiling door with a brass pull-cord that swayed when the windows were open. He passed it every morning on the way to the shower and never looked up. It felt respectful not to.

He told himself it was because of the dust. Because of spiders. Because of how the ceiling bowed like it was remembering too much weight.

But really, it was because of something his grandmother once said.

“It’s where the house remembers things,” she told him, her voice low, like they were telling secrets over tea. “And the things it remembers… remember back.”

He’d laughed at the time, and she hadn’t smiled.

________________________________________

After she died, the house passed to him. He moved in because the timing made sense—he’d just broken off a long, directionless relationship, his lease was up, and the idea of a paid-off property in a quiet neighborhood seemed like a win. It was a little too big for one person, but maybe he’d sublet a room. Fix it up. Let it hold him for a while.

And it did. At first.

He painted the kitchen. Refinished the floors. He cleared out the basement, boxed up old linens and porcelain figures, took three full carloads to the donation center. But he left the attic for last. Always last.

One evening, around mid-February, Michael woke to the sound of soft footsteps above his ceiling.

Not scuttling—walking. Two steps. A pause. Like someone testing the floorboards for creaks.

He held his breath in the dark, listening.

Silence followed. The kind that wasn’t empty, but watching.

He flicked on the lamp and stared up at the square seam in the ceiling. Nothing moved. Nothing shifted. But his chest felt tight, like the air was just slightly too thin.

He slept on the couch.

________________________________________

Over the next week, he heard it again. Twice. Once at 2 a.m., once just after sunset. Always the same: two steps. Stillness.

He tried to rationalize it. Squirrels, maybe. The house settling. A neighbor’s television echoing strangely through the vents. But none of those explanations really fit. And worse: he found himself walking more quietly in his own home, as if afraid to disturb something.

That scared him more than the sound itself.

He bought a step ladder. Stared at the attic door. One hand on the cord.

And didn’t pull.

________________________________________

“I think I’m just sleep-deprived,” he said to Hannah, his coworker, one day over lunch. “I’ve been hearing things.”

She looked concerned. “Like what kind of things?”

“Just—footsteps. In the attic.”

“You go up there?”

He shook his head.

“Maybe a raccoon?” she offered. “Or a bird stuck in the eaves?”

“Maybe.” He poked at his salad. “But it’s not really the sound that’s bothering me.”

She tilted her head.

“It’s what it feels like after. Like something’s standing up there, listening.”

She gave him a long look, then said, “You ever think maybe it’s something your grandmother left behind?”

He blinked. “Like a ghost?”

“Like a memory,” she said gently. “Some places hang on to grief.”

He didn’t like how that settled in his chest.

________________________________________

By April, the sound had stopped—but the sense hadn’t.

He began waking at 3:14 a.m. exactly, heart pounding, without reason. He couldn’t remember dreams, only the feeling of having been seen. Sometimes, walking past the attic door, he’d get the faintest whiff of camphor and dust, like old linen chests opened and left ajar.

He started sleeping with the bedroom door closed, then with a towel rolled at the base. Just in case.

“Case of what?” he finally muttered to himself.

No answer.

He thought about selling the house. But that felt like defeat. And irrational. And expensive.

He tried therapy. He tried ignoring it. He even tried writing about it, hoping that naming the thing would shrink it.

He titled the file: THE SHAPE OF THE THING.

And then he sat there, fingers hovering over the keyboard, unable to begin. How do you describe what has no face, no voice, no form? How do you describe the impression of something?

It was like trying to write about an absence that still somehow left bruises.

________________________________________

One night, a warm summer night with the windows open, Michael heard the pull-cord tap the ceiling. Just once.

Tap.

He stood in the hallway for a long time.

The silence after was worse than the sound.

________________________________________

He called in sick the next morning and drove to a storage facility two towns over. Rented a unit. Packed a duffel bag, his laptop, a few essentials, and left the house just after dusk. He didn’t turn off the lights. He didn’t look up.

He stayed away for six days.

On the seventh, something pulled at him.

Not a voice. Not a whisper. Just a weight in his ribs that said, You left the door open.

He drove back in the evening. Parked half a block away. The house looked normal. Porch light on. A package tucked behind the potted plant.

He unlocked the door and stepped inside.

All the lights were off.

He hadn’t turned them off.

He stood in the foyer, keys still in hand, staring up the stairs.

The air felt… crowded.

He climbed slowly, his footsteps sounding too loud. As he reached the top, he could see it—the attic door slightly ajar, pull-cord hanging motionless.

It had never been open before.

________________________________________

Michael stood beneath it for what felt like an hour.

Then he stepped back, brought the ladder from the garage, unfolded it, and climbed.

At the top, he placed one hand on the door and pushed.

The attic opened like a breath held too long.

It was empty.

Not empty in the way most attics are. Not dusty boxes and forgotten decorations. Not mice or shadows or even the outline of a figure.

Just space. Still. Cold. Perfectly untouched.

And yet—

He knew something had been there.

Not because he saw it.

Because he didn’t.

He stepped inside. His foot creaked against the floorboards. The air was dry and thick, like old cloth. There were no windows. No furniture. Just the bare pitch of the roof and a single beam in the center.

He turned once, slowly.

Nothing.

No thing.

But the shape of it remained.

Something that had leaned, once, against that beam.

Something that had stood in the dark, waiting.

________________________________________

Michael slept through the night for the first time in months.

He didn’t talk about the attic again.

He didn’t need to.

The shape of the thing wasn’t in the attic anymore.

It had always been in him.

And now he knew its name.

Psychological

About the Creator

Rick Allen

Rick Allen reinvented himself not once, but twice. His work explores stillness, transformation, and the quiet beauty found in paying close attention.

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