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When the Ocean Stopped Breathing

The morning it happened, I woke to a silence that had weight

By yasir zebPublished 5 months ago 10 min read

Gulls still screamed and garbage trucks still snarled down Seaview Avenue, but beneath and behind the usual noises there was an absence, a missing bass note I didn’t know I depended on until it was gone. I walked to the window expecting to see the same tide-wet ribbon of beach I’d grown up with, the same restless Atlantic chewing at the pilings in small, indifferent bites.

Instead, the water was a sheet. Flat as a held breath. No chop. No swell. No drift of foam. The line where ocean met sky was as crisp as a ruler mark, a seam that had been pressed and ironed and told not to move.

I dressed without thinking—a sweater over pajamas, boots without socks—and ran the three blocks to the pier. All along the boardwalk people had stopped mid-stride. Morning joggers stood with their knees bent, their hands on hips, looking confused, as if some muscle they trusted had betrayed them. An old man, who I recognized as Mr. Domenico from the bait shop, had both palms pressed to the rail and tears standing in his eyes.

“It’s not right,” he said to no one. “It’s not possible.”

I put my fingers through the chain links and leaned over. The water below held my reflection perfectly, a faultless mirror of my worried face, the knit of my sweater, the ragged angle of my bangs. If I lifted my hand, she did too. But a gull swooping for a fry—the kind some kid had dropped the night before—hit the surface and bounced like the ocean was glass. She flapped away, bewildered, while the fry sat on top of the sea, yellow and ridiculous.

Behind us, the radio in the donut shop crackled with the kind of emergency broadcast voice that sounds calm only because someone decided panic would not help. “Please refrain from entering the water. Do not attempt to walk on it. It may not support your weight.”

“Like it’s a trampoline,” muttered the woman next to me.

In the space of a few hours, Coast Guard cutters idled uselessly a thousand yards off, their propellers gnashing air and accomplishing nothing. Helicopters traced anxious stitches across the sky. Reporters came and pointed and did the thing where they made their eyebrows serious while they used phrases like unprecedented and atmospheric anomaly and ongoing situation. The mayor tried to give a statement, but the wind tugged his comb-over as though it wanted to take him, too.

“Where are the fish?” a little boy asked his mom. He had a plastic bucket and a net with a broken hoop.

The mother swallowed. “They’re… still in there, baby.”

But were they? Boats anchored offshore had drifted into the harbor overnight and then stopped dead, caught mid-return, their ropes lying across the surface like a handful of dropped snakes. In the afternoon, a diver from the university tried to go down and bounced off the surface like the gull had. Not even air bubbles penetrated; they piled in a shimmering dome around his face, clung to him like sequins, and then skittered away. That night, the stars came out and the sea matched them point for point, duplicating the sky so perfectly that staring at it made me dizzy. The Milky Way was both above and below, and when I leaned carefully out past the pier’s edge, I had the eerie sense that if I slipped I would fall into infinity, not drown.

My father didn’t come home.

He took the Margaret out with a crew of three at four in the morning, like he had for thirty years. He kissed my forehead while I pretended to be asleep on the couch, waiting for the creak of the front door even though I was twenty-seven and too old to need proof that people leave and come back. He always smelled like diesel and salt and instant coffee. I kept my eyes closed until I heard the click of the latch, and then I turned my face into the couch cushion and made a bargain with nothing at all: bring him back and I’ll finally take that job in the city, I’ll stop stalling, I’ll stop telling myself I’m stuck here because the ocean needs me when really I need it. When I finally sat up, the house had already lost its bass note. By noon, the Coast Guard had found Margaret frozen a mile out, crewless, its radio hissing like a furious cat.

By night, our whole town had learned the choreography of waiting. The grocery store shelves emptied of batteries and candles, though the power never went out. Teenagers clustered in the dark to take pictures, each one framed by that perfect stillness. Someone started playing a tinny Bluetooth speaker on the sand and hiked the volume to drown out the quiet, then turned it down because it felt like shouting in a library. The air smelled flat, like a room after a party; no tang of salt, no wet rope, no rot of seaweed in the tideline, because there was no tideline. Somewhere, a dog whined for hours and only stopped when its voice went hoarse.

On the second day, I went to the lab. I was not a scientist, not the kind with a degree, but I worked there as a tech because the ocean was the one subject I didn’t mind being wrong about. The building sat on pilings above the marsh, and on windy days you could feel it shimmy under your feet. Now it felt like it had been sunk into cement. The director, Dr. Hsu, had been awake too long. She handed me a tray of samples: jars that held nothing but seawater we’d gathered on ordinary days, from ordinary dives, and the notes that went with them. Salinity numbers. Temperature. pH. I lined them up on the steel table and felt foolish; the only test that mattered was written outside.

“Do you hear it?” I asked.

Dr. Hsu’s eyes were red. “Hear what?”

“The missing.”

She looked at me for a long moment, and in it I saw a person who had once sat on a cheap apartment floor in a different city and cried because a grant didn’t come through, because her mother had died, because some man had said her work would never matter. “Yes,” she said finally. “Yes, I do.”

We set up every microphone we had to record nothing. We lowered hydrophones that bounced. We sent drones and watched them skim the surface uselessly. We called colleagues in other towns and found the phenomenon was patchwork; here and there, other coasts had the same ironed ocean, while others kept breathing. It didn’t care about politics or money or praying on TV. It didn’t even care about the best minds in the room. It just wouldn’t move.

On the third day, the church filled. So did the bar. So did the bait shop, where Mr. Domenico refused to sell any more hooks because “Who am I to poke holes in a world that’s trying not to bleed?” On the pier, they held hands and sang “Eternal Father, Strong to Save,” though two verses in someone started “Single Ladies” instead and everyone laughed until they cried. People are strange in grief; we tidy our feelings with songs and jokes because the truth is feral and doesn’t come when you call.

I took my father’s rain jacket down from its hook. The inside smelled like him. The outside smelled like nothing. I walked out onto the pier because if a thing has to be done, the place to do it is the place that always was. The crowd hushed around me without being asked. I stepped up on the rail and it was stupid and dangerous and every old-timer would have told me I was making a scene, but all of those old-timers had learned to read the sea’s face like a map, and I was trying to read a blank page.

“Don’t,” someone said softly. “Please.”

“I’m not going to jump,” I said, though part of me wanted to. Not to die. To test the rules. To be the thing that breaks the surface. To prove that breath returns when threatened. I cupped my hands around my mouth and shouted across the flat, foolish, infinite calm.

“This is ridiculous!” I said. “You’re scaring people.”

The ocean did not answer.

So I told it a story.

I told it about my father teaching me to splice rope when I was ten, the two of us on the back step, the half-light deciding whether to stay. I told it about the time I puked over the side in a half-gale and he held my hair and said, “There are better ways to feed the fish, kid.” I told it about a man who couldn’t say I love you unless he had a steering wheel in his hands and the sky in his eyes, and how he made pancakes shaped like question marks on my birthday because he didn’t know how else to admit he was unsure. I told it about how I stayed in a town that was supposed to be smaller than my dreams because my dreams smelled like salt and diesel and instant coffee, and nobody tells you how hard it is to leave the place that made you. I told it I was sorry for every plastic fork and every cigarette butt I’d seen and not picked up. I told it I knew what a body feels like when it won’t breathe, because grief is a kind of drowning, and I have drowned slowly, on land, more than once.

And then—I don’t know why I did it, only that the missing bass note inside me made all my choices for me—I took a breath so big it hurt, leaned out over the rail, and exhaled into the seam between air and sea.

It’s nonsense, I know that. It’s the kind of thing that would get cut from a movie for being too poetic, too desperate, too small to matter. My breath fogged the surface for the barest moment and vanished. But in the vanishing it made a sound, the tiniest chuff, the softest kiss. And somewhere just beyond the pier, the mirrored stars shivered.

We all heard it then, because when a town listens together it can hear a flea cough. A whisper. A sigh. The hush that comes before an apology. The sea’s surface flexed, not breaking but remembering how. A ring spread from the place where my breath had gone. It bumped the pier with a sound like a heartbeat hidden under floorboards.

Dr. Hsu was already running. “More,” she said. “Everyone—blow.”

It was exactly as stupid as it sounds. The gathered crowd—teenagers and mothers and old men with callused hands—leaned over the rail and exhaled like they were trying to fog a mirror. They cupped their hands and breathed into their palms and pressed their breath to the sea and then inhaled again, dizzy and laughing, ridiculous and holy. The ring widened and for a moment you could see the motion travel, a pulse like a tide’s ghost, and then it faded.

We did it again.

And again.

After the sixth time, the surface quivered. After the tenth, a bubble the size of a kneecap rose and popped with a sound so ordinary I cried. After the twentieth, the tiniest wave shouldered its way to shore and died at the sand like a kitten falling asleep.

By dark, the ocean was not fixed. I am not going to lie to you. We had not saved anything. But the sea had learned the word almost again. It had remembered the thing after stillness.

The Coast Guard radioed that a boat had been found much farther out than a boat could get across a floor, engines dead, crewless still. People cheered and then sobbed, because we wanted miracles and got a physics lesson instead. The church stayed open all night. The bar did too. I walked home through a town that tasted like breath mints and prayer and cheap beer, and I hung my father’s jacket up and I slept on the couch with the window cracked, and all night the ocean made the tiny sounds of a body that is asleep but not resting well.

In the morning, someone had chalked a message on the boardwalk: BREATHE BACK. Kids drew lungs with coral for bronchi and waves for ribs. A high school science teacher scheduled hourly exhale sessions on the pier and handed out peppermint oil “to keep us from passing out.” It became a ritual. People came from other towns. They brought their grief and their gratitude and their silly lungs. They stood over the ocean and breathed as if the world was a window we’d fogged with our wanting.

On the fifth day, a swell shouldered in like an exhausted animal. On the seventh, a gull skipped off the surface and then stabbed its beak down and came up with silver wriggling triumph. On the tenth, a fisherman on the next town over found my father sitting in the bow of a boat with a faraway look, alive and mute and holding in both hands something I later understood was the idea of a horizon. He did not say where he had been. When I pressed my ear to his chest that night and listened, I heard it: the bass note. The rest of the world piled on top. The music of traffic. The dog’s whine, turned into a snore. The sea, breathing.

We still don’t know what happened. The scientists wrote papers that used careful words. The preachers used careless ones that were better. Mr. Domenico started selling hooks again. The chalk lungs faded with the rain, and we drew them again. We talk about it less now, but sometimes I wake before dawn with the reflex to check the window and make sure the ocean is not holding its breath like a child in a tantrum, like a man who refuses to say he’s sorry, like me when I’m afraid if I inhale I’ll never stop crying.

When that happens, I go to the pier. I put my lips close to the place where sky and sea learn to share a border. I breathe out, and the ocean breathes back. That is all any of us are doing, every day—exchanging pieces of ourselves with something bigger and older and dumber and kinder. Making a rhythm out of our separate hungers. Learning, over and over, how to move again.

Horror

About the Creator

yasir zeb

best stories and best life

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