The Truth According to Daniel
A story about lies, love, and the slippery nature of memory

The first time I told the story, everyone believed me. Maybe it was because I told it with such conviction — the kind of certainty that only a man who’s either completely honest or dangerously deluded can pull off. I wasn’t sure which one I was at the time. Still not sure, if I’m being honest.
But I’ll start where it matters — the night Emma disappeared.
🕯️ 1. The Candlelight Dinner That Wasn’t
Emma had this way of making silence loud. She could look at me across the table, her green eyes steady and calm, and suddenly every sound — the ticking of the wall clock, the hum of the fridge — felt accusatory. That night, she was wearing that blue dress I always liked. Or maybe it was gray. My memory plays tricks on me, but I remember thinking she looked like a photograph — still, perfect, a little too polished to be real.
We were supposed to have dinner, celebrate her new job. I opened a bottle of wine, but she didn’t drink. She said she wasn’t in the mood. She said she wanted to talk.
Now, I know people always say that when something bad is about to happen. But at the time, I didn’t know that was the last conversation we’d ever have.
She said things weren’t working. She said she needed space. She said she didn’t feel safe.
That last word — safe — it stung more than anything else. I asked her what she meant. She didn’t answer. She just looked at me like I was a stranger who’d wandered into her kitchen by mistake.
The rest is a blur. I remember shouting, though I can’t remember what about. I remember her crying. I remember her leaving, her heels clacking against the tile. The door closing softly, like she didn’t want to wake the neighbors.
That’s it. That’s the last I saw of her.
At least, that’s the story I told the police.
🕵️ 2. The Detective
Detective Morales was one of those people who smiles with his mouth but not his eyes. He listened, nodding like he’d heard it all before. Maybe he had. Missing girlfriends, jealous boyfriends, neighbors who swore they “heard something” but couldn’t say what.
He asked about our relationship. I told him it was fine — good, even. Sure, we argued sometimes. Who doesn’t? He asked if she ever talked about leaving. I said no, even though that wasn’t exactly true.
Then he asked if I’d ever hurt her.
“No,” I said. And I meant it.
He wrote something in his little notebook, and for a moment, I thought he was done. But then he asked, “What about that night? Did you touch her?”
That question hung in the air like smoke. I said no again, though this time it came out quieter. Because maybe I did grab her arm — not hard, just enough to make her stop walking away. Or maybe I didn’t. Memory’s a funny thing.
He left me with a card and a look that said he didn’t believe me.
🪞 3. The Mirror Version
After Emma disappeared, the apartment felt wrong. Her toothbrush was still by the sink. Her mug still had coffee stains. Her sweater was draped over the chair like she’d just step back into it any second.
People said I should move on. “You need to get out,” my sister told me. “Go for a walk. See people. Do something.”
But I couldn’t. Every time I looked out the window, I half expected to see her walking up the street, hair blowing in the wind, ready to explain everything.
Sometimes, I even thought I did see her. In the crowd at the grocery store. On the subway platform. Once, I followed a woman home because I was sure it was her. She turned around, and the look she gave me — pure terror — told me it wasn’t.
That’s when I started writing things down. Every memory, every conversation, every small detail of that night. I needed to make sense of it. But the more I wrote, the less it made sense.
One version said she left quietly. Another said she screamed. One said I followed her out the door. Another said I didn’t move. They all felt true, but they couldn’t all be true.
📺 4. The News
A week later, her photo was on the local news. “Missing woman last seen leaving her apartment around 9 p.m. on Thursday,” the anchor said.
But that wasn’t right. She left my apartment, not hers. I called the station to correct them, but no one answered.
Then the stories started coming out — friends saying she was scared, coworkers saying she’d mentioned breaking up with me. They painted me as some controlling boyfriend, some ticking time bomb of insecurity and obsession.
I wasn’t any of that. At least, I don’t think I was.
Still, I started seeing things differently. Every drawer she emptied, every message she deleted from her phone before that night — maybe she had planned to leave. Maybe I just didn’t see it.
But if she planned to leave, why didn’t she take her car? Why were her keys still on the counter?
I tried telling Morales that. He said they’d look into it. But I could tell from the way he looked at me — like a teacher watching a kid who just failed the test again — that he didn’t believe a word I said.
🔦 5. The Basement
I didn’t go into the basement for weeks after she disappeared. Too dark, too cold. But one night, I couldn’t sleep. I kept hearing noises — soft thuds, like footsteps.
When I finally went down, the air was heavy with dust and something else. Something metallic.
That’s where I found the box.
It was old — one of those wooden ones with brass hinges. I didn’t remember owning it. Inside were photos. Of me and Emma. Smiling. Laughing. Ordinary moments — except in every photo, she looked uneasy, like she wanted to be anywhere else.
And there was something else. A bracelet. Silver, with her initials. The same one she wore that night.
I don’t remember putting it there.
Maybe she dropped it. Maybe I found it and kept it safe. Or maybe… maybe something else happened.
🧠 6. The Therapist
After that, I started seeing Dr. Levin. She said I needed to process things. That memory can get “distorted under emotional stress.” She said I might be “confabulating.” That’s her word, not mine — it means filling in gaps in your memory with things that feel true but aren’t.
She asked me to recount that night again.
This time, I said she fell. That I tried to stop her from leaving, and she slipped. That she hit her head.
Dr. Levin just wrote something in her notebook. She didn’t say a word.
I waited for her to tell me it wasn’t my fault. She never did.
The next week, she didn’t show up for our session. I called the office — they said she was taking a leave of absence.
Sometimes I wonder if she stopped because she finally believed me. Or because she didn’t.
🌧️ 7. The Rain
Months passed. The police stopped calling. The posters faded. People forgot.
I didn’t.
One night, it rained harder than I’d ever seen. I stood by the window and watched the streetlights blur through the water. And for a moment — just a second — I saw her reflection in the glass beside me.
She smiled. Not sad, not angry — just... knowing.
I turned, but of course, no one was there.
I laughed. Then I cried. Then I laughed again, because honestly, what else was I supposed to do?
🕰️ 8. The Ending You Want
People like neat endings. They want closure, confessions, final words that tie everything together.
I could tell you I did it — that I lost control, that she hit her head and I panicked. I could tell you I buried her in the woods behind the house, or dumped her car in the river. I could even tell you she ran away, changed her name, and lives somewhere sunny now, sipping iced coffee and laughing about all this.
Would that make you feel better?
Because the truth — whatever that is — doesn’t comfort anyone.
What I know is this: she’s gone, and I’m still here, and sometimes, in the quiet, I hear her humming that song she used to sing in the kitchen. The one I can’t remember the name of anymore.
That’s the truth according to me.
And if that’s not good enough, maybe you’re the one who’s confused.
❓ FAQ
Q1: Is Daniel guilty of Emma’s disappearance?
It’s left intentionally ambiguous. His unreliable narration blurs fact and fiction, leaving readers to question everything he says.
Q2: What is the significance of the basement scene?
The basement symbolizes buried guilt and hidden memory — a metaphor for the subconscious revealing what the narrator refuses to admit.
Q3: Why is the story told in first person?
The first-person perspective intensifies the unreliability, trapping readers inside Daniel’s distorted perception.
Q4: Did Emma actually die?
We’re never told for sure. Every clue could point to either foul play or self-deception.
About the Creator
Karl Jackson
My name is Karl Jackson and I am a marketing professional. In my free time, I enjoy spending time doing something creative and fulfilling. I particularly enjoy painting and find it to be a great way to de-stress and express myself.




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