The Five Stages of Damnation — Quinque Gradūs Damnatiōnis
For Craft over Catharsis and Mismatch Challenges
—
I intended to write a literary masterpiece masquerading as a survival horror tale of gore, cheap thrills, and cheaper scares.
Call it The Five Stages of Damnation and set it in an abandoned something or another.
—
For example, the haunted house of a travelling fair that no longer travels.
—
Denial:
Difficulty accepting the reality of the loss, often feeling numb or in disbelief.
—
And down the fiery serpent fell,
cast to the gravel and dirt
by the steel of blade
and bad spirit of valour.
—
Hendrick looked at his conquest.
It would be spared, of course,
as cruelty was not his go-to vice.
A grounded dragon with an extinguished breath
was good enough for him.
—
That’s golden.
—
But should the hero —
correction, anti-hero —
be likable,
or even deciding the fate
of majestic mythics like dragons?
—
Editor:
“It does make sense because if you write it, it is.”
—
Hendrick stood under the dimming glow
of the dying sun
as the dragon walked
rather than trying to face him.
—
As the dragon became more familiar
with permanent contact
with terra firma,
Hendrick noted something different
troubling the beast.
Foul as she was,
he knew how to read the signs.
—
The dragon wandered off —
or seemed to.
—
In its place was a mid-90s travelling fair,
complete with a haunted castle
of broken dreams
or nightmares,
depending on framing and perspective.
—
Alongside bumper cars,
an animatronic fortune teller,
Madame Mystierytique,
hustled the disparate attendees.
—
There was also
a Ferris wheel
and a circus big top.
—
The trapeze artist was a Korean girl,
and the lion tamer was Russian.
—
He was caught up
in the smells
of popcorn
and candyfloss —
or cotton candy.
—
Something was missing.
—
Something tangible had transpired —
or maybe expired
into intangibility.
—
There was a strange inevitability
and creeping dread
as he walked from the bumper cars
to the fortune teller.
Animatronic or human —
adaptations could clear up
the ambiguity.
—
She warned of terrible revelations,
as they all do.
In a thick Eastern European accent,
of course.
—
The haunted mansion
or castle
called out to him.
—
Or what actually happened
was the ghostly crow
on the doorface.
—
Upon entry,
his feet were drenched
in very convincing blood
pooling around them.
—
A cackle came from along the corridor
that resembled a corridor
in his old childhood home.
—
Mutterings and customary screaming
just missed the mark.
—
Before a round little fellow came out
and slammed a clapperboard —
or whatever those things are called —
for markers on recorded rushes.
—
Hendrick,
who is now Malcolm,
has been given a crowbar
by the rotund man
for “defensive cautionary action
and mild threat.”
—
The walk along the corridor
proved to be uneventful
until he reached a store cupboard
and a zombified iteration
of his mother
attacked him.
—
“Names…
names…
names,”
is what “she” repeated.
—
Before I could correct the actress,
I was interrupted
by a man
who resembled
a young Kubrick.
—
After the near attack,
the Ferris wheel called.
—
Trapped on it
he would be
in a short time —
stuck up there
with his mother.
—
As the cold, hard truth
hit him.
—
He couldn’t speak
even if he wanted to,
because he was penned that way.
—
DENIAL LOCKED IN
NEGATIO CONFIRMATA
—
The structure isn’t a problem
and doesn’t have deeper meanings.
—
ANGER STRUCK
IRA EMERSIT
—
Like a pang of pain
in the belly
and reproductive organs (female),
he blames the state of his life
in production
on anyone.
—
Anger:
Frustration and rage
directed at others,
oneself,
or a higher power.
—
BARGAINING BEGAN IN EARNEST
PACTIO INITIATA
—
If only he or I write properly.
—
His logic told him
if he leaned into the fairground
he’d achieve zen
and several higher states
of conscience
he repurposed
and appropriated.
—
Bargaining:
“If only” statements,
trying to negotiate
to reverse the loss.
—
DEPRESSION DEEP DEEP REGRESSION
DESPERATIO PROFUNDA
—
Deep sadness IS THE KEY?
Hopelessness is the only outlet of understanding,
and withdrawal from anything that confronts and comforts
and breaks walls and barriers.
—
SYSTEM OVERLOAD
COLLAPSUS SYSTEMATIS
—
ACCEPTANCE
ACCEPTIO
—
BUT WE DON’T
STATUS: NON ATTAINED
—
Acceptance:
Coming to terms with the loss
and learning to live
with the new reality.
—
Denial
anger
bargain
depression
acceptance
—
negatio
ira
pactio
desperatio
acceptio
—
Pain
dot
anger
dot
depression
dot
acceptance
—
PROCESS LOOP DETECTED
CIRCULUS ITERATUS
—
System breakdown
defectus
—
Denial
negatio
—
Death didn’t happen
mors non evenit
—
Depression —
unkempt hair,
dark humour
—
Acceptance leads to recovery
acceptio ad restitutionem ducit
—
disruption
ruptura
—
anger
ira
—
Why then
cur igitur
—
why them
cur illi
—
I have five dimes
and not all of them are mine.
—
I carry what I find
and what I have been given
along the way.
—
It’s all we do.
—
Collect,
assimilate,
disassociate
a little more
and more
each day.
—
As I flipped
each of the five dimes
in a row,
guessing which side
they were going to go.
—
Heads is a win,
tails is a loss.
—
(Editor: is this where we started?)
—
ACCEPTANCE
In a life
full of wins
and losses.
—
Collected,
earned,
stolen,
found,
discarded.
*
Thanks for reading!
Author's Note: Written as an exercise in structure over sentiment.
About the Creator
Paul Stewart
Award-Winning Writer, Poet, Scottish-Italian, Subversive.
The Accidental Poet - Poetry Collection out now!
Streams and Scratches in My Mind coming soon!

Comments (3)
Looky there, they remembered you exist.
Your use of imagery evoked the serpent cast out of heaven in Revelations. What is striking about it is not that it can’t be killed, that the knight spares it. This reminds me of a scene in CS Lewis’ The Great Divorce where the MC carries around a nasty little monster on his shoulder while on a guided tour of Heaven. An angel offers to kill the monster to spare the MC the suffering it causes him, but he resists at first because he does not know what life would be like without it. Although you used Latin and the five stages of grief to give this story a cold, clinical feel, the emotion pushes through it especially in lines like the one Harper mentioned reference the five dimes and flipping the dimes to determine winning or losing. This likely symbolizes burdens that would passed to you that are not yours that you continue to carry like your own little serpents or monsters, spared because you never known life without them. The entire piece is somber, in musical notation an Adagio of Paul in a minor key. It’s spare, the pain relegated to the shadows and yet present. Really quite extraordinary. Good luck in the challenges!
"I have five dimes and not all of them are mine." This line gut-punched me. Love what you did with this!