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The Five Stages of Damnation — Quinque Gradūs Damnatiōnis

For Craft over Catharsis and Mismatch Challenges

By Paul StewartPublished about 3 hours ago 4 min read
The Five Stages of Damnation —
Quinque Gradūs Damnatiōnis
Photo by Robert Katzki on Unsplash

I intended to write a literary masterpiece masquerading as a survival horror tale of gore, cheap thrills, and cheaper scares.

Call it The Five Stages of Damnation and set it in an abandoned something or another.

For example, the haunted house of a travelling fair that no longer travels.

Denial:

Difficulty accepting the reality of the loss, often feeling numb or in disbelief.

And down the fiery serpent fell,

cast to the gravel and dirt

by the steel of blade

and bad spirit of valour.

Hendrick looked at his conquest.

It would be spared, of course,

as cruelty was not his go-to vice.

A grounded dragon with an extinguished breath

was good enough for him.

That’s golden.

But should the hero —

correction, anti-hero —

be likable,

or even deciding the fate

of majestic mythics like dragons?

Editor:

“It does make sense because if you write it, it is.”

Hendrick stood under the dimming glow

of the dying sun

as the dragon walked

rather than trying to face him.

As the dragon became more familiar

with permanent contact

with terra firma,

Hendrick noted something different

troubling the beast.

Foul as she was,

he knew how to read the signs.

The dragon wandered off —

or seemed to.

In its place was a mid-90s travelling fair,

complete with a haunted castle

of broken dreams

or nightmares,

depending on framing and perspective.

Alongside bumper cars,

an animatronic fortune teller,

Madame Mystierytique,

hustled the disparate attendees.

There was also

a Ferris wheel

and a circus big top.

The trapeze artist was a Korean girl,

and the lion tamer was Russian.

He was caught up

in the smells

of popcorn

and candyfloss —

or cotton candy.

Something was missing.

Something tangible had transpired —

or maybe expired

into intangibility.

There was a strange inevitability

and creeping dread

as he walked from the bumper cars

to the fortune teller.

Animatronic or human —

adaptations could clear up

the ambiguity.

She warned of terrible revelations,

as they all do.

In a thick Eastern European accent,

of course.

The haunted mansion

or castle

called out to him.

Or what actually happened

was the ghostly crow

on the doorface.

Upon entry,

his feet were drenched

in very convincing blood

pooling around them.

A cackle came from along the corridor

that resembled a corridor

in his old childhood home.

Mutterings and customary screaming

just missed the mark.

Before a round little fellow came out

and slammed a clapperboard —

or whatever those things are called —

for markers on recorded rushes.

Hendrick,

who is now Malcolm,

has been given a crowbar

by the rotund man

for “defensive cautionary action

and mild threat.”

The walk along the corridor

proved to be uneventful

until he reached a store cupboard

and a zombified iteration

of his mother

attacked him.

“Names…

names…

names,”

is what “she” repeated.

Before I could correct the actress,

I was interrupted

by a man

who resembled

a young Kubrick.

After the near attack,

the Ferris wheel called.

Trapped on it

he would be

in a short time —

stuck up there

with his mother.

As the cold, hard truth

hit him.

He couldn’t speak

even if he wanted to,

because he was penned that way.

DENIAL LOCKED IN

NEGATIO CONFIRMATA

The structure isn’t a problem

and doesn’t have deeper meanings.

ANGER STRUCK

IRA EMERSIT

Like a pang of pain

in the belly

and reproductive organs (female),

he blames the state of his life

in production

on anyone.

Anger:

Frustration and rage

directed at others,

oneself,

or a higher power.

BARGAINING BEGAN IN EARNEST

PACTIO INITIATA

If only he or I write properly.

His logic told him

if he leaned into the fairground

he’d achieve zen

and several higher states

of conscience

he repurposed

and appropriated.

Bargaining:

“If only” statements,

trying to negotiate

to reverse the loss.

DEPRESSION DEEP DEEP REGRESSION

DESPERATIO PROFUNDA

Deep sadness IS THE KEY?

Hopelessness is the only outlet of understanding,

and withdrawal from anything that confronts and comforts

and breaks walls and barriers.

SYSTEM OVERLOAD

COLLAPSUS SYSTEMATIS

ACCEPTANCE

ACCEPTIO

BUT WE DON’T

STATUS: NON ATTAINED

Acceptance:

Coming to terms with the loss

and learning to live

with the new reality.

Denial

anger

bargain

depression

acceptance

negatio

ira

pactio

desperatio

acceptio

Pain

dot

anger

dot

depression

dot

acceptance

PROCESS LOOP DETECTED

CIRCULUS ITERATUS

System breakdown

defectus

Denial

negatio

Death didn’t happen

mors non evenit

Depression

unkempt hair,

dark humour

Acceptance leads to recovery

acceptio ad restitutionem ducit

disruption

ruptura

anger

ira

Why then

cur igitur

why them

cur illi

I have five dimes

and not all of them are mine.

I carry what I find

and what I have been given

along the way.

It’s all we do.

Collect,

assimilate,

disassociate

a little more

and more

each day.

As I flipped

each of the five dimes

in a row,

guessing which side

they were going to go.

Heads is a win,

tails is a loss.

(Editor: is this where we started?)

ACCEPTANCE

In a life

full of wins

and losses.

Collected,

earned,

stolen,

found,

discarded.

*

Thanks for reading!

Author's Note: Written as an exercise in structure over sentiment.

HorrorPsychologicalShort Story

About the Creator

Paul Stewart

Award-Winning Writer, Poet, Scottish-Italian, Subversive.

The Accidental Poet - Poetry Collection out now!

Streams and Scratches in My Mind coming soon!

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Comments (3)

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  • Harper Lewisabout 2 hours ago

    Looky there, they remembered you exist.

  • John Coxabout 2 hours ago

    Your use of imagery evoked the serpent cast out of heaven in Revelations. What is striking about it is not that it can’t be killed, that the knight spares it. This reminds me of a scene in CS Lewis’ The Great Divorce where the MC carries around a nasty little monster on his shoulder while on a guided tour of Heaven. An angel offers to kill the monster to spare the MC the suffering it causes him, but he resists at first because he does not know what life would be like without it. Although you used Latin and the five stages of grief to give this story a cold, clinical feel, the emotion pushes through it especially in lines like the one Harper mentioned reference the five dimes and flipping the dimes to determine winning or losing. This likely symbolizes burdens that would passed to you that are not yours that you continue to carry like your own little serpents or monsters, spared because you never known life without them. The entire piece is somber, in musical notation an Adagio of Paul in a minor key. It’s spare, the pain relegated to the shadows and yet present. Really quite extraordinary. Good luck in the challenges!

  • Harper Lewisabout 3 hours ago

    "I have five dimes and not all of them are mine." This line gut-punched me. Love what you did with this!

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