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A Good Man is Hard to Find by Flannery O'Connor

Good Man

By Moharif YuliantoPublished 2 years ago 3 min read
A Good Man is Hard to Find by Flannery O'Connor
Photo by Reuben Juarez on Unsplash

The Florida sun beat down mercilessly, but the Bailey family station wagon steamed on. Inside, a battle raged between generations. The grandmother, a wiry woman with a sharp tongue and an even sharper sense of entitlement, yearned for a detour to visit some distant relatives in Tennessee. Her son, Bailey, a weary man burdened by the weight of responsibility, just wanted a smooth trip to Florida with his wife and their two young children, John Wesley and June Star.

The grandmother, never one to be swayed, pointed to a newspaper clipping about a criminal named "The Misfit" said to be loose in Florida. Her ploy fell flat. John Wesley, a brash eight-year-old with a penchant for violence, declared he'd "smack" The Misfit if they met. June Star, a picture of apathy, simply stated she wouldn't go to Florida for "a million bucks."

Their journey continued, punctuated by the grandmother's incessant criticisms – the children's manners, the wife's choice of reading material. Tension crackled in the air, thick as the humid Florida air itself.

Disaster struck when the grandmother, fixated on a peculiar roadside sign for a plantation named "The Eaten Cottage," insisted on a detour. Bailey, defeated, pulled off the main road.

The plantation, far from charming, was a dilapidated mess. Ignoring the warnings of a mangy cat, the family ventured inside. There, they encountered a hulking man – The Misfit himself – and his two equally unsettling companions.

The encounter turned deadly in an instant. The grandmother, desperate to establish a connection, claimed The Misfit was one of her own kind. This only enraged him. One by one, the family, along with a passing motorist, were executed with cold indifference.

As The Misfit prepared to kill the grandmother, she reached out and touched his arm, calling him "one of my own children." In a moment of unexpected tenderness, The Misfit seemed to consider her words. However, he was quickly overcome by a rage born from a personal disillusionment with God. He declared there was "nothing else you can do in this world but go on and do what you do," and ended her life with a gunshot.

The story ends with The Misfit contemplating the night sky, searching for some meaning in the vast emptiness. He asks a young woman, the sole survivor (Bailey's wife who had fainted during the ordeal), if she "pray[s]." Her hesitant "sometimes" seems to further fuel his existential crisis. He shoots her anyway, leaving the reader in a state of shock and despair.

Flannery O'Connor's "A Good Man is Hard to Find" is a chilling Southern Gothic tale that explores themes of violence, faith, and the disconnect between generations. Through a darkly comedic lens, the story exposes the darkness that can lurk beneath the surface of seemingly ordinary people.

The grandmother, despite her flaws, serves as a cautionary tale about clinging to outdated traditions and failing to see the humanity in others. The Misfit, a product of a broken world, embodies the terrifying consequences of lost faith and disillusionment.

The story's ending is deliberately ambiguous. While it offers no easy answers, it forces the reader to confront the uncomfortable truths about human nature and the fragility of morality. O'Connor's masterful use of language and symbolism leaves a lasting impression, long after the final sentence is read.

Flannery O'Connor (born Mary Flannery O'Connor, 1925-1964) was an American novelist, short story writer, and essayist. She is considered one of the most important figures in Southern Gothic literature, known for her dark humor, grotesque characters, and exploration of complex themes like faith, violence, and alienation.

Here's a breakdown of her achievements:

Genre: Primarily known for her short stories, she also wrote two novels.

Style: Southern Gothic, characterized by dark settings, grotesque characters, and explorations of the supernatural and violence.

Themes: O'Connor's work often grapples with questions of faith, morality, and the human condition.

Legacy: She is considered one of the most influential American writers of the 20th century, with her work still studied and discussed today.

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About the Creator

Moharif Yulianto

a freelance writer and thesis preparation in his country, youtube content creator, facebook

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