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Smoke and the Slow Light

On the Days We Stop Waiting for the World to Fix Us

By David cenPublished about a month ago 2 min read

I sit cross-legged on the mattress, the cigarette between my teeth smoldering like a dying star. The window behind me bleeds light—too bright, too unforgiving—turning the smoke into twisted ghosts that curl toward the glass, as if begging to escape this room that smells of mildew and regret. The dog at my feet doesn’t move; her ribs show through matted fur, and I wonder if she’s as tired of waiting as I am.

We’ve been here for three days? Four? Time dissolves when the walls stop meaning anything. I used to measure life in milestones: graduation, promotion, the day he said “I love you”—sharp, clean lines that made the chaos feel like a map. Now I measure it in the length of a cigarette, the slow rise of dust motes in the slant of sunlight, the way the dog’s tail twitches once, like a half-remembered dream.

The smoke stings my eyes. I think of my mother, how she used to say “Life’s a window—you either look out or let it look in.” Back then, I thought she meant ambition: climb higher, see farther, escape the small town where the only jobs were at the mill and the only stories were the ones people told to forget their own. I ran. I got the job, the apartment, the man who wore suits and lied like he breathed. Then the mill closed, the apartment was foreclosed, the man left with a note that said “I can’t carry this”—as if I hadn’t been carrying both of us all along.

The dog sighs, a low rattle in her chest. I reach down, my fingers brushing her ear, and she nuzzles my palm. For a second, the room softens: the cracks in the wall look like constellations, the smoke like a lullaby. I used to think strength was holding on—to the job, to the man, to the version of myself I’d spent years building. But holding on is just another kind of letting go: letting go of the right to be tired, to be broken, to sit on a mattress in an empty room and smoke a cigarette while the world burns outside.

The cigarette burns down to my fingers. I drop it, and it fizzles in a puddle on the floor. Somewhere, a car backfires; the dog flinches, then settles again. I wonder if she knows we’re not waiting for anyone. We’re waiting for the moment—the one where the window stops being a barrier and becomes a mirror. Where I stop seeing the life I lost and start seeing the one I’m still in: messy, small, alive, even if it doesn’t look like the life I wanted.

My mother was wrong, I think. Life isn’t a window. It’s the smoke: it twists, it fades, it doesn’t do what you tell it to. But it’s yours—the way it curls, the way it catches the light, the way it lingers even when you think it’s gone.

I lean back, the mattress creaking under me, and the dog rests her head on my knee. Outside, the sun dips lower, painting the walls in gold. For the first time in months, I smile. It’s a small smile, cracked at the edges, but it’s mine.

Would you like me to tweak the title/subtitle to lean more into the character’s quiet resilience?

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About the Creator

David cen

Share Chinese Sory,which you never heard before.China has 5000 years history and it is A kingdom of artifacts.Such as Chinese Kongfu,Qigong etc.

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