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The Weight of Unsent Ink

He wrote a letter full of rage and despair, only to find the words he needed were for himself.

By HAADIPublished about a month ago 4 min read

The clock digits burned red: 3:17 AM. Leo squinted, his eyes gritty from the screen, from the stacks of books threatening to avalanche his desk. Another day bled into another night, and the blank page of his thesis introduction still mocked him. Dr. Sharma's last email, a short, clipped thing, had landed two days ago: 'Leo, your progress is insufficient. We need a clear direction by Friday. If not, we must reconsider your candidacy.' Reconsider his candidacy. That wasn't an academic term; that was a death sentence. For two years he'd eaten, slept, and breathed Byzantine history, and now it was all crumbling, turning to dust in his hands.

He pushed the monitor back, the hum of the hard drive a low, constant drone in the oppressive quiet of his apartment. A cold coffee mug sat abandoned, a thin film of something milky clinging to the ceramic. He snatched a pen, a cheap ballpoint, and a piece of scrap paper – a recycled printout of an old bibliography he'd never used. The words started to spill, not the polished academic prose he agonized over, but raw, unfiltered thought. For Dr. Sharma. Or maybe just for himself.

"Dr. Sharma," he began, the pen scratching loud against the paper. "I'm writing this not as a student, but as a human being pushed to his absolute limit. You speak of 'rigor' and 'excellence,' but what you deliver feels like cruelty. Every feedback session leaves me feeling smaller, dumber, like everything I thought I knew about history, about myself, was a lie. You stand there, sharp as a tack, dissecting my arguments with surgical precision, leaving nothing but bone. You say I lack 'originality.' What do you want from me? A goddamn revelation? I'm trying to piece together fragments of a forgotten empire, not invent time travel."

His hand cramped, a dull ache spreading through his knuckles. He kept writing, the ink flowing faster now, a torrent of frustration. He wrote about the sleepless nights, the way his stomach twisted every time her name appeared in his inbox. He described the gnawing self-doubt that whispered he wasn't good enough, that he'd tricked everyone, including himself, into believing he belonged here. He talked about the joy he used to feel, poring over primary sources, the thrill of discovery, now buried under a mountain of anxiety and the fear of her next scathing critique.

"I work," he wrote, his handwriting becoming a frantic scrawl. "I read, I write, I revise, I rewrite. I've spent three months on chapter two and it still feels like wet clay, collapsing every time I touch it. You said my thesis on late Byzantine fiscal policy was 'safe.' Safe? This is my life. This is the thing I poured every ounce of my being into. It feels like you want me to bleed on the page, and when I do, you tell me the blood isn't the right color. What am I supposed to do, Dr. Sharma? What more can I give?"

A small tear, hot and unwelcome, splattered onto the page, blurring a word. He didn't wipe it. He let it sit there, a dark stain, a punctuation mark on his despair. He reread what he’d written. The anger was potent, yes, but beneath it, a desperate plea. A cry for help he wouldn't dare utter aloud. He saw the words 'safe' and 'wet clay' and 'wrong color blood.' And suddenly, he saw something else too. Not just Dr. Sharma's criticisms, but his own interpretation of them, magnified by exhaustion and fear.

She didn't want him to bleed the 'wrong color blood.' She wanted him to find *his* blood, *his* voice, to stop trying to mimic the detached, academic tone he thought she demanded. The 'safe' thesis wasn't just safe for her; it was safe for him. He was hiding behind dense jargon, afraid to commit to a bold argument. Afraid to be wrong. Afraid to fail. But what was he doing now? He was failing by not trying, by not pushing past the fear.

He slumped back in his chair, the scrap paper heavy in his hand. The words, so ugly and raw moments ago, now felt… clarifying. A pressure valve had released. He didn't need to send this letter. He couldn't. It was too ugly, too revealing of a weakness he knew she wouldn't tolerate. But in writing it, in screaming into the void of the page, he’d heard an echo back. An echo of his own fears, disguised as her demands. The problem wasn't entirely her. A chunk of it was him.

He pushed the crumpled letter to the side, away from the fresh sheet of paper he now pulled out. His mind, still fuzzy, still tired, but a little lighter, began to turn. Not towards the old, 'safe' arguments, but towards the edge, towards the riskier hypothesis he'd dismissed months ago. The one that felt dangerous, uncertain, but also, undeniably, exciting. The one that was truly *his*. He picked up a different pen, a newer one, its ink a bolder black. And he began to write again. Not an apology, not a complaint, but a single, declarative sentence, the foundation of a new path.

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About the Creator

HAADI

Dark Side Of Our Society

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