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The House That Waited for Her

Some places do not forget the ones they were built to hold — even when she forgets herself

By Muhammad Hamza SafiPublished 8 months ago 2 min read

They told her not to go past the bramble path.

That beyond it lay only ruins, haunted things, and a house that no longer stood.

But she went anyway.

Not out of defiance — out of instinct. A pull in her ribs that grew stronger each time the world tried to smooth her into silence. She didn’t pack a bag. She didn’t say goodbye. One morning, she simply turned left instead of right, and the wind sighed like it had been waiting.

The brambles scratched her arms, thin lines blooming red like forgotten prayers. Her breath grew thick. The sky deepened. And there it was.

The house.

Not ruined — not abandoned. Alive.

It stood on a hill draped in fog, its windows wide like eyes long closed. Vines clung to its bones, but not in decay — more like adornment. Like a crown made of wild things. She stepped forward, and the door opened before she knocked.

The air inside smelled of thunder and thyme.

No one greeted her, yet she didn’t feel alone. The floorboards hummed beneath her feet. The walls held their breath.

She walked through room after room, finding pieces of herself in every corner.

A cracked mirror that still held her old laughter.

A book with margins filled in her handwriting — even though she had no memory of writing it.

A chair that fit her body like a memory made solid.

She moved slowly, reverently. The house pulsed around her, not like a building, but a body. Its silence was not emptiness. It was listening.

And then she found the room.

The one at the very top, where the ceiling had collapsed just enough to let the moonlight pour in like milk. In the center: a trunk sealed with iron vines. No lock. No key. Just her name carved into the lid.

Her real name.

The one she hadn’t spoken since the world convinced her it was too loud, too strange, too much.

She knelt.

Laid both hands on the wood.

The vines retracted like breath.

Inside the trunk: nothing and everything.

A cloak made of shadows and stars.

A blade shaped like a question mark.

A crown of feathers.

And a letter, folded neatly. It read:

“You are not lost.

You are returning.

This house did not wait for a girl — it waited for the fire she will remember she carries.”

She put on the cloak. It felt like dusk and dawn at once.

She held the blade. It sang in a language she didn’t know she knew.

She placed the crown on her head, and it did not weigh her down — it steadied her.

Then she stood.

And the house exhaled.

The roof mended. The vines bloomed. Every portrait on the wall turned its face to smile. She walked through the front door, and where there was once fog, there was now horizon.

She did not return to the world the same.

She returned remembering.

And now, when others lose their names, when they forget the fire beneath their ribs, she sends them one word — written in petals, in ash, in dream:

“Come.”

Because the house still waits.

And it remembers every woman who has ever needed to be more than what the world made her forget.

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About the Creator

Muhammad Hamza Safi

Hi, I'm Muhammad Hamza Safi — a writer exploring education, youth culture, and the impact of tech and social media on our lives. I share real stories, digital trends, and thought-provoking takes on the world we’re shaping.

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