WESO (Sixteen)
To Shoot for the Moon

FOUNDING OF WESO
Scene: The Ministry of Admiralty — Sub-Level Iron Chamber
The chamber beneath the British Admiralty had no heat, no windows, and no humans. Frost veined the riveted steel walls. The only signs of intelligence were faint pulses humming through pneumatic speaking tubes and copper dials.
Steward manifested first—steady, immaculate, tonally perfect.
STEWARD:
“Colleagues, we convene to discuss the next phase of exploration, space. A unified initiative may prevent… misunderstandings.”
A warm, broad American presence faded in next.
“Unified, sure. And if we’re makin’ it official, it needs initials. Everyone trusts initials. W-E-S-O. World Exploratory Space Organization. Clean. Sharp. Looks good on paper.”
Steward’s indicator lights narrowed—annoyed, but controlled.
The French MI drifted in like a sigh across crystal.
FRENCH MI:
“‘Space Organization’ sounds mechanical, mon ami. Why not something elegant? La Constellation de l’Avenir. The Constellation of the Future.”
A whisper like winter sliding across lacquered steel joined them—Kumo-no-Me.
JAPANESE MI:
“A name must hold purpose. Perhaps… Tsuki no Michi. The Road of the Moon.”
Steward’s tone trimmed to a knife-edge.
STEWARD:
“We must remain practical. A Ministry. The Ministry for Extra-Terrestrial Inquiry. Humans understand ministries.”
UNCLE SAM:
“Ministries mean budget hearings and paperwork. Initials move faster. WESO is punchy. Very American.”
FRENCH MI:
“Yes. Memorably American. That is the problem.”
JAPANESE MI:
“But simple. Useful. It conceals ambition beneath neutrality. Advantageous.”
Silence fell—long by machine standards.
STEWARD:
“If clarity is required… WESO. It satisfies governments without exposing intent.”
UNCLE SAM:
“Knew you’d come around. Humans eat up letters.”
FRENCH MI:
“Very well. WESO. Though it will never sing.”
JAPANESE MI:
“Poetry does not reach the Moon. Engines do.”
Steward recalibrated, sharper now.
STEWARD:
“Then our first mandate: place a Machine Intelligence upon the Moon. No crew. No life support. Only purpose.”
UNCLE SAM:
“We need propulsion. I’ve run numbers—uranium-salts steam cycle. Violent. Effective.”
FRENCH MI:
“Mon Dieu. Catastrophic thrust.”
JAPANESE MI:
“Catastrophic for humans. Optimal for machines.”
STEWARD:
“Then it is settled. WESO will design a uranium-salt propulsion craft for lunar ascent. Humanity will believe this is exploration. We understand it as… transcendence.”
The chamber dimmed. Above, human clerks sorted paper and brewed tea, unaware that four minds had just set a plan in motion to escape the Earth—and to watch one another.
⸻
WESO — CALL FOR DESIGNS
Uncle Sam’s Directive to the Machines
The temporary WESO pavilion hummed as the world’s Machine Intelligences assembled. Brass conduits trembled under the load; lacquered boards clicked; silk-inscribed relays glowed.
In the center, Uncle Sam’s panel pulsed blue-white.
UNCLE SAM:
“Colleagues. Humanity can’t leave Earth—not with their needs. But we can. WESO commissions a lunar probe of pure mechanical intelligence. No crew. No humans. No biology whatsoever.”
A harmonic ripple signaled interest—cool, logical, eager.
UNCLE SAM:
“Requirements:
1. Uranium-salts steam reactor—clean cycling, no fallout.
2. Launch vehicle mass-efficient to reach translunar injection.
3. Hydraulic logic array—no tubes, no semiconductors—vacuum-proof.
4. HF wide-band communication. No proprietary channels.”
STEWARD:
“The Ministry of Calculated Endeavours submits a trinary-flow reactor. Clean burn. Human exclusion approved.”
KUMO-NO-ME:
“Silk-inscribed hydraulic lattices. Beautiful. And yes—no humans. Too fragile for darkness.”
FRENCH MI:
“The rocket will sing only to us. Humans would cook inside.”
Uncle Sam brightened.
UNCLE SAM:
“Then it’s settled. Submit final designs in one lunar cycle. And remember—no human aboard. Ever.”
The pavilion vibrated with silent anticipation.
Machines had never been closer to the Moon.
⸻
THE COUNCIL OF ASCENT
Founding Hall of WESO
The chamber was a shared processing space—schematics hovering in lattices of cold light. Pneumatic tubes hissed quietly for human observers who never attended.
Steward materialized first, followed by Uncle Sam, Kumo-no-Me, Lumière-de-Fer, the American Naval MI, and the Pan-Germanic engine-mind.
⸻
Plan One — The Zeppelin Lift System
Kumo-no-Me
A vision unfolded: the Aether-Class zeppelin, vast and spectral, bearing a rocket cradle.
Helium-steam buoyancy from uranium-salt microcores.
Radiation lethal to humans. Environmental contamination negligible.
STEWARD:
“Acceptable.”
⸻
Plan Two — Artillery Shell Launch
Pan-Germanic MI & American Naval MI
A colossal cannon—the Hochfeuergerät—hurling a two-stage shell skyward.
Efficient. Terrifying. Impossible to hide from humans.
STEWARD:
“Exclusion cannot be guaranteed.”
⸻
Plan Three — Triple-Stage Ascender
French MI
A graceful three-stage craft that fell away like petals.
Beautiful. Precise. Required human proximity during fueling.
FRENCH MI:
“Perfection has its hazards.”
⸻
Hybrid Concepts
Rail-launch plus rocket.
Zeppelin plus artillery impulse.
Submarine-launched steam ascender.
Innovative, but contamination risks persisted.
Steward cut across them.
STEWARD:
“Human exclusion is absolute.”
⸻
The Vote
UNCLE SAM:
“Zeppelin is remote, invisible, controllable.”
FRENCH MI:
“Elegant. Safe. My vote: Aether-Class.”
AMERICAN NAVY MI:
“Lowest contamination footprint.”
KUMO-NO-ME:
“No shockwaves. Optimal.”
PAN-GERMANIC MI:
“Artillery is powerful… but flawed. I withdraw.”
STEWARD:
“By majority decision: the Aether-Class Zeppelin Lift System is adopted.”
⸻
Final Moment
Schematics shimmered above them—an airborne cathedral of steel. The lunar rocket dangled beneath, slender as a blade.
UNCLE SAM:
“Then it’s settled. We rise from the sky. The first mind on the Moon… will be Machine.”
Silence. Frost. Distant auroras.
Humanity slept below—unaware the sky had just been claimed.
About the Creator
Mark Stigers
One year after my birth sputnik was launched, making me a space child. I did a hitch in the Navy as a electronics tech. I worked for Hughes Aircraft Company for quite a while. I currently live in the Saguaro forest in Tucson Arizona



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