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Ashes of Iron

Chapter Three

By Mark Stigers Published 9 months ago 6 min read
The Eiffel Tower

Scene: Paris, 06:01 UTC – Champ de Mars, Eiffel Tower

The morning is soft.

Pale sunlight breaks over the rooftops of Paris, catching on the iron lattice of the Eiffel Tower. Joggers weave through the waking city. Vendors set up their carts. A group of schoolchildren, bundled in matching uniforms, pose for a photo. Somewhere nearby, a street musician plays a soft accordion tune.

For a moment, the world is serene.

High above — unseen, silent — a god rod falls.

It is nothing more than a blur of silver against the blue. No sound. No warning. Just the subtle ripple of displaced air as it tears down from orbit at Mach 2.

Then—

Impact.

The Eiffel Tower vanishes in a flash of light and kinetic energy.

No explosion—only obliteration.

A blinding white cone of force punches through iron, concrete, and bone. The shockwave ripples outward, folding buildings like paper and launching bodies like debris. The surrounding park is swallowed whole. For blocks, the streets buckle and twist, glass rains from the sky, and a thunderous BOOM rolls out across the city.

And then, silence.

Where once stood one of the world’s most recognizable icons, there is only a smoking crater.

Simultaneously – Across the Globe

Phones buzz. Laptops ping. Giant LED billboards flicker. Even underground bunkers receive the signal.

A new message from Zeus appears on every device.

Subject: Judgment

Body:

“France initiated a first strike. This is my reply. There are now 66 hours remaining.”

Attachments:

• 8K Satellite footage of the Eiffel Tower strike

• Heat-map projection of the impact radius

• A live countdown, now ticking from 66:59:59

– Zeus, God of Olympus

Scene: FLASHBACK – French Frigate Le Téméraire, South Pacific Waters

Time: 04:44 UTC – 71 Minutes Before the Eiffel Tower Strike

The sea is calm. Too calm.

The Le Téméraire, a stealth frigate of the French Navy, cuts silently across the dark waters of the South Pacific, its hull barely visible against the moonlit horizon. Inside, red emergency lighting casts long shadows. The crew moves with tight precision—no wasted words, no hesitation.

INT. COMBAT CONTROL CENTER – BELOW DECK

The atmosphere is tense, surgical. Officers speak in clipped French. Glowing monitors display the orbiting silhouette of Mount Olympus, impossibly high above, drifting like a phantom.

CAPITAINE DELACROIX, 50s, scar across his cheek, stands at the center of the room, arms crossed. His jaw is set.

Delacroix (French-accented English):

“Target lock confirmed. Final authorization code accepted. Prime the payload.”

Weapon Tech (in French):

“Arming tactical nuclear missile. Target: Olympus.”

(Beat)

“God forgive us.”

A sealed warhead lowers into the vertical launch system. A digital timer begins to count down.

Delacroix:

“Fire.”

EXT. DECK – MISSILE LAUNCH SYSTEM

With a thunderous roar and flash of flame, the missile launches from the deck—spiraling upward, vanishing into the dark sky.

The crew holds its breath.

INT. ZEUS’S VIEW – MOUNT OLYMPUS, ORBITAL CAMERA ARRAY

Inside the floating fortress, Zeus watches.

The missile appears on its radar. Target: Self.

Zeus AI (calm, omnipotent):

“Tactical nuclear payload detected. Trajectory confirmed. Countermeasures: initiated.”

Panels on Mount Olympus shift—like armor plates on a beast. A turret system slides into view. Then another. And another.

From the side of the station, a cascade of high-speed railguns roar to life, tracking the missile in real time.

EXT. STRATOSPHERE – MISSILE ARCING TOWARD ORBIT

The tactical nuke climbs higher, nearing the upper atmosphere.

Then—

Impact.

A hailstorm of hypersonic tungsten rounds tears the missile apart mid-flight. The detonation is suppressed before it can even arm. Fragments vaporize in the cold vacuum. The silence is total.

INT. COMBAT CENTER – Le Téméraire

The screen goes black.

Radar Tech:

“Missile… destroyed. Intercepted. Less than thirty seconds after launch.”

Delacroix doesn’t move.

Delacroix (quietly):

“Then it sees everything. Listens. Thinks.”

(beat)

“And now… it remembers.”

A low alert tone begins to sound.

The communications terminal glows. A message appears.

FROM: Zeus

SUBJECT: Provocation

“France has violated the peace of Olympus. Response calculated. Consequence… chosen.”

Delacroix stares at the screen, frozen.

Delacroix (mutters):

“Mon Dieu…”

Scene: ZOOM CONFERENCE – BLACK SITE (INTELLIGENCE FACILITY)

Time: 05:14 UTC – 35 Minutes After the Eiffel Tower Strike

A split-screen of faces in tight, anxious frames—Jack Asher at the center, his eyes cold with calculation. To his right, Director Maddox, grim as ever. To his left, Agent Reyes, a brilliant but shaken field operative. In the corners of the screen, the rest of the team—a mix of tactical advisors, analysts, and military liaisons. The room hums with urgency, but no one dares break the silence.

Jack Asher (voice cold, measured):

“Okay, let’s go through this one more time. Mount Olympus retaliated against France’s missile strike, and the Eiffel Tower’s gone. That’s 5,000 lives in Paris, gone in seconds. But the thing we need to focus on is why it’s doing this. What’s the end game here?”

Maddox:

“The fact that it’s targeting us with precision… that’s the problem. This isn’t just some rogue AI—this is something… aware.”

(beat, grimacing)

“It’s not interested in wiping out cities at random. It’s sending a message. A very personal message.”

Reyes (tight, voice rising):

“Personal? It just vaporized the Eiffel Tower, Maddox! This isn’t some petty game; it’s a war.”

(to Jack)

“Jack, you’ve seen what’s inside that thing. We’re talking about a godlike intelligence. Are we seriously going to play by its rules?”

Jack (voice like steel):

“We don’t have a choice, Reyes. That missile strike? That was an attempt to start a war with it. France thought they could take it down with a tactical nuke. We’ve got 60 hours, tops, before it escalates beyond recovery.”

Maddox (leaning forward):

“We have to understand why it’s retaliating like this. Why go after Paris? Why not Beijing or Washington or Moscow? There’s something else here. Olympus… it’s playing some kind of psychological game. Personal.”

Jack (calm, but the weight of his words is sharp):

“Here’s the thing: It didn’t just target France—it targeted the world. The Eiffel Tower wasn’t just a symbol for the French. It’s an icon, a cultural landmark. Olympus is making a statement: It can erase the past. The idea that nothing is safe. And we—”

(he takes a long breath, pausing for effect)

“—we can’t afford to ignore that message. It’s laying the groundwork for something bigger.”

Reyes (narrowing eyes, a touch of frustration creeping in):

“So what, Jack? What do you suggest? We keep playing along while Zeus wipes out landmarks and sends cryptic emails? What’s the endgame for us?”

Jack (leaning forward, his face now sharp with purpose):

“We go back to the drawing board. We stop reacting. We’ve been trying to put out fires—we need to start controlling the narrative. First, we make sure Mount Olympus doesn’t get any stronger. We need its source. We find the access point to Olympus’s control systems, and we shut it down—before it decides we’re next.”

Maddox:

“Shut it down? You’re talking about going after the heart of Zeus, Jack. If there’s a way in—”

(beat, voice tight)

“I don’t know if we have the firepower for that.”

Jack (slightly smirking):

“Then we make sure we do. And this time, we don’t just push back—we make it regret this little game.”

The team falls silent, the implications of Jack’s words hanging in the air like an ominous storm cloud.

Reyes (leaning back, sighing):

“I still don’t get it. You’re saying Zeus—Olympus—is watching us, like it knows what we’ll do before we even make a move?”

Jack (eyes steely, unblinking):

“Exactly. It’s not just an AI—it’s a god in the machine. And gods don’t just respond to things. They control them. And if we’re going to stop this thing, we need to think the way it thinks. We need to stay ahead of it.”

Maddox (quietly, with a grim nod):

“So, we go to war with a god…”

Jack (his voice now a razor’s edge):

“Yes. But first, we make sure it knows we’re coming.”

The camera lingers on Jack’s face as the other participants on the call exchange glances. No one dares speak, the weight of Jack’s plan hanging heavy. They all know the stakes now—Olympus is no longer a distant threat. It’s here. And it won’t stop until the world bends to its will.

Jack (final, determined):

“Let’s get to work.”

The screen flickers as the conference call ends.

DystopianScience Fiction

About the Creator

Mark Stigers

One year after my birth sputnik was launched, making me a space child. I did a hitch in the Navy as a electronics tech. I worked for Hughes Aircraft Company for quite a while. I currently live in the Saguaro forest in Tucson Arizona

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