The Dream Eaters Unveil Futuristic New Single “Program Me, I’m A Machine”

Brooklyn-based dream pop duo The Dream Eaters return with their latest single, Program Me, I’m A Machine, a captivating synth-driven track that seamlessly blends robotic detachment with haunting human emotion. The song weaves a narrative where devotion and submission blur into one, exploring the boundaries of autonomy in a world that seems increasingly obsessed with control. Set to appear on their upcoming EP, The Dream Eaters Quarterly Report: Q125, due out on April 18, 2025, Program Me, I’m A Machine continues the band’s exploration of futuristic themes through a lens of emotional complexity.

From the moment the track kicks off, Program Me, I’m A Machine pulls listeners into a world of pulsing beats and shimmering synths, with Elizabeth LeBaron’s mesmerizing vocals grounding the ethereal, robotic soundscapes. The song manages to feel both nostalgic and cutting-edge, combining elements of retro-futurism with a distinctly modern, introspective touch. The track’s mechanical yet emotive delivery reflects its thematic exploration of control and autonomy, as the story unfolds around an AI-like partner who is programmed to comply but may harbor deeper, more complex emotions beneath the surface.

“I think Program Me, I’m A Machine feels both in the past and also in the future, but also in the present?” LeBaron muses. “It’s about the cyclical desire to control bodies and minds—it’s timeless, but the way it’s expressed feels ever-changing.” The song’s offbeat humor and deadpan delivery shine a light on a critical issue in today’s society, making it not just a catchy tune but a commentary on the current climate surrounding personal autonomy and societal control.

The music video for Program Me, I’m A Machine further amplifies the song’s surreal and haunting vibe, with dynamic visuals and quirky choreography that bring the track’s conceptual layers to life. Filmed at Green Lung Studios in Red Hook, Brooklyn, the video captures the duo’s playful approach to their art while still maintaining an eerie atmosphere. “Our drummer/dancer, Steve Fugitt’s dancing was particularly strong that day (when isn’t it perfect, though?), and I shimmied quite a bit myself—poor robot moves and all,” says LeBaron. “We were really feeling this one and just having a lot of fun.”

The Dream Eaters’ evolution from a dream pop band into a full-fledged video art project is something that has set them apart since their formation in 2015. Originally a duo consisting of LeBaron, a Calgary native, and Jake Zavracky from Boston, the pair met while working at a bar in Brooklyn’s Gowanus neighborhood. Their shared love for experimental music and visual art led them to start crafting songs that blended dreamy soundscapes with dark, humorous narratives. Over the years, their unique vision has garnered them a cult following, with hundreds of visually captivating videos released across platforms like TikTok, Instagram, and YouTube.

Program Me, I’m A Machine is just the latest example of The Dream Eaters’ ability to create music that’s not only sonically immersive but visually arresting as well. Their blend of dream pop, synthwave, and off-kilter storytelling continues to captivate audiences who crave a new kind of musical experience—one that pushes boundaries and challenges conventional norms.

This year, The Dream Eaters will bring their signature combination of music and video art to stages across the U.S. and Canada. With Fugitt joining LeBaron and Zavracky, the trio will embark on a tour that promises to deliver their hypnotic, emotionally charged performances to even more fans. Whether it’s the moody, nostalgic energy of Program Me, I’m A Machine or their other visually rich works, The Dream Eaters’ upcoming tour is poised to be an immersive experience unlike any other...and we're ready for the future.