And suddenly the persnickety
Man behind the counter disapproved of me
I wanted in but couldn't win
Couldn't win bemusingly
He denieth, me
.
When I was there he wouldn't care
To take my fare, he wouldn't dare
You're not the type of tripe we state
We need, ourselves, to matriculate
He replieth, me
.
I circled 'round and 'round, 'roundily
To come at him so soundlessly
And from my clear, dear house of glass
Centrifug'ly, my stone was cast
At Goliath, he
.
'T'was brain over brawn and a might bygone
Before brains became the liaison
Replacing old ways and rules of thumb
And allowed tripe like me to come
.
He complieth, he
About the Creator
Gerard DiLeo
Retired, not tired. Hippocampus, behave!
Make me rich! https://www.amazon.com/Gerard-DiLeo/e/B00JE6LL2W/
My substrack at https://substack.com/@drdileo
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More stories from Gerard DiLeo and writers in Beat and other communities.
'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
A Failed Artist, A Disillusioned Poet, An Underpaid Game Show Host
I took my son and niece to Gori, a small town in Georgia where Joseph Stalin was born. They talked me into visiting the Stalin's Museum, the largest in the post-Soviet space. I had resisted going there because I just can't stand the monster and know enough about him, or so I thought.
By Lana V Lynx7 days ago in FYI
Comments (3)
Excellent! Love the flow and rhythm.
David kicking a little swarmy behindeth!
I read this as a rap.