Neil Haverty Confronts Control and Care on "What I Don’t Need"
A searching indie single that traces the uneasy balance between independence, perception, and responsibility
Toronto songwriter and composer Neil Haverty returns with “What I Don’t Need,” a measured and contemplative indie release that explores the friction between personal autonomy and the obligations that arise when we live in relation to others. Known as the frontman of Bruce Peninsula and the composer behind the Wildhood soundtrack, Haverty brings his gift for emotional nuance into a song that feels both inward-looking and quietly confrontational, capturing the mental loops that form when self-protection and vulnerability collide.
Written and performed by Haverty and produced by long-time collaborator Leon Taheny, the track unfolds with careful tension. It opens in restrained isolation, verses underpinned by dark synths that suggest a private interior world where doubt and resolve compete for space. From there it expands into a crashing chorus that breaks the stillness with force, echoing the songwriter’s own negotiation between silence and expression. The music mirrors the narrative, carrying the listener through moments of introspection and release that feel more like emotional weather than simple structure.
“The title/refrain are intentionally cagey and avoidant,” Haverty explains. “I’m resistant to being told what to do even if it’s born of love and care for me. When you struggle with decision paralysis, you don’t want to re-litigate the decisions you already managed to make. That said, there’s a lot about oneself that is hard to see personally, but that friends and loved ones can easily spot. This song is about trying to listen to those voices, trying to see yourself as you’re seen and the responsibility to act that sometimes comes with that.”
Rather than framing this conflict as something to be solved, “What I Don’t Need” allows the discomfort to exist. It acknowledges the double edge of care, how advice can feel both grounding and intrusive. Haverty’s delivery is steady and exposed, lending honesty to the tension between wanting to define one’s own path and recognizing the value of outside perspective. The song functions less as a declaration and more as a process, documenting the vulnerability that comes from letting others see the parts of you that resist clarity.
The accompanying music video deepens this emotional narrative. Directed and animated by Luca Tarantini, the visual element complements the song’s reflective atmosphere with careful artistry. Known for his work within the distinctly cinematic world of modern independent music, Tarantini’s style reinforces the sense of movement between inner and outer worlds, giving the single a visual language that feels as intentional as the sound itself.
Stylistically, Haverty and Taheny leaned into a quiet and loud structure that recalls classic alternative dynamics, using contrast as an emotional tool rather than a simple formal choice. The softer moments create a space for restraint and observation, while the surging chorus delivers the release of pent-up opinion and self-definition. “This song travelled with me for many years and took on a few shapes before Leon and I pinned it down,” Haverty shares. “I wanted it to loudly proclaim what I didn’t want even though I’ve been quietly surveying the other side of things, too.”
That long gestation period is evident in the track’s depth. It feels lived-in, considered, and weighted by time rather than rushed toward immediacy. The push and pull within the arrangement mirrors the emotional narrative, expressing how growth often happens in contradiction rather than resolution.
“What I Don’t Need” also marks another step forward in Haverty’s ongoing run of 2025 singles, which have steadily broadened his audience while reinforcing his identity as a thoughtful and evolving songwriter. His work with Bruce Peninsula established his voice within a genre-bending choral framework, earning millions of streams and a Polaris Prize long-list nomination. His solo work continues that lineage with a more distilled intimacy, expanding the personal dimension of his writing.
Beyond the world of independent music, Haverty remains an active and respected screen composer. His recent nomination for a 2025 Canadian Screen Award for the documentary series Who Owns The World underscores his ability to translate emotion across mediums. Contributions to films such as Wildhood and Sleeping Giant and the series Avocado Toast further demonstrate his sensitivity to mood, pacing, and narrative through sound.
“What I Don’t Need” stands as a quiet but powerful statement in Haverty’s evolving body of work. It captures the uneasy space where self-determination meets connection, where the instinct to resist guidance coexists with the understanding that seeing oneself clearly is rarely a solo act. In that tension, Haverty finds a song that feels honest, grounded, and deeply human.



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